The year was 1988. The Cold War had warmed up considerably by then and the so-called 'party decade' was festively winding down stateside. The political and cultural influences on cinema were reflected in the themes, emotions and messages of late 80's cinema. Going through a list of releases from that period, it's almost like we couldn't stop celebrating, but still needed something to celebrate. And yet, despite this conflicting canvas, few people view the 80's as the best decade of cinema - usually it's overshadowed by the solemn dramatic classics of the 70's and the modern, heady blockbusters of the 90's.
Despite all of this, 1988 shines brightly even 30 years on, and you don't have to look too hard to find some real gems. Take Kieslowski's A Short Film About Killing (clocking in at over 80 minutes, even still), a cold, calculated concoction that, some have gone as far as to say, may have actually changed the world. Credited in some circles with causing the Polish government to abolish the death penalty, Kieslowski's film is a harrowing taste of modernity at a time when we may not yet have been ready for such in-your-face, matter-of-fact depictions of society's violent tendencies.
John Waters' Hairspray on the other hand seemingly came out at exactly the right time, and perfectly bookended the most adventurous part of his career as a director. One of his 'tamer' films, Hairspray was not just flashy 60's nostalgia. Waters created a perfect anti-racism fable that, not only fit the times, but would unfortunately stay current for years to come (witness the 2007 remake).
Waters was just one of many filmmakers with career highlights in the year 1988. Another was the Greek auteur Theo Angelopoulos. While he had been a veteran of historical melodrama up to that point, it wasn't until 1988's release of Landscape In The Mist, a film designed to stop you in your tracks and fully consider what's really important about the concept of the 'road movie' - it's not the journey or the destination, but the meaning of the whole endeavor that really matters. Landscape in the Mist was so shockingly innovative in fact, that many forget it was released in the 80's. It's impossible that a film this contemplative (and technically stupendous) could be released at such an 'innocent' time for cinema.
After all, it came out at around the same time as Ivan Reitman's high concept comedy Twins. For my money, Twins may be Reitman's most enjoyable comedy, if not his best film overall. Looking back on it now, one is amazed by how effortless the laughs are, how sharp the humor is, and how enjoyable the performers are to watch on screen. Reitman has made a career out of making endlessly rewatchable comedies and that is no easy feat. Twins is now looked down upon... Why? Part of the fun is that the jokes are easy, yet the actors still pull them off wonderfully on screen.
Lastly, I want to bring up the perfect antidote to the comedic overtones of Twins - George Sluzier's chilling thriller The Vanishing. It's a film that fills the audience with an inescapable dread. A great example of the surprising power of Dutch cinema, The Vanishing is one of those films that will not sit right with the viewer after it's over. For some reason, this made-up story feels a lot more real than the sensationalized true-crime podcast-bait of today. In '88, before the internet made them easy to consume, these types of stories had an extraordinary haunting power over society.
And here is the best part, these films didn't make it to the Top 15 movies list that I'm going to chronicle as part of my attempt to sum up 1988 - the year that was in film. That's how good of an year it was - I'm actually proud it's my birth year! I can't wait to watch some 15 of the most important films that came out that year, starting with the Dan Aykroyd/John Candy classic (I hope) The Great Outdoors! See you then.
Having just turned 30, and wallowed in my own chaotic insecure delusions about it for a few days, I've decided that the best way to embark on this next part of my life is to go back to doing things that fulfill me as a human being. One of them is regular exercise (especially running) and the other is watching and yes, writing about, film. The archives of this blog show my love/hate relationship with movies (I love the good ones and could care less about the bad ones), and I hope to add on to them by starting a new blog series: A Lifetime in Film.
I have decided to look back over my life so far through the unforgivably honest frame of cinema. What was the over-arching theme in film of 1988 vs that of 2008? How has the art and science of filmmaking changed over my lifetime? What are some of the most notable performances and filmmaking careers of the last 30 years? I could probably answer these questions by doing some online research, but there's no better way to learn about cinema than watching movies. So I've decided to watch 15 notable movies from each year that I have been alive, starting with 1988 and ending with 2018.
OK, that's 450 movies that I have to watch and write about. Even now I'm unsure of the success of this series, but I'm 30! And there is something about that number that says "Do something with your life! However trivial, let it be something!" So I will.
So how did I get to the final list of 15 movies for each year? Well let's just say by using plenty of "Top" lists from such websites like Letterboxd, IMDB, BoxOfficeMojo, and RottenTomatoes. In fact, I have only come up with the list of 15 for 1988, and I won't bother creating the 1989 list until I'm done writing about the 1988 films.
What you can expect from this series, is about 17 posts for each year. The first will introduce the year, briefly touch on some movies that just missed making it to the list of 15, and preview the first film of the series. I will not spoil all 15 films in the beginning, so that hopefully you the reader can keep coming back for more. Then, I will have a post for each individual film that I plan on writing shortly after my initial viewing. The structure of these individual posts may vary, but they may mix in a short review, some background on the film/filmmakers and a look back on the film's legacy. Lastly, I will wrap up each year, by picking my most and least favorite films, and gathering my thoughts on what the year's films contributed to the history and future of the cinematic art form.
Thank you again for reading my blog! I look forward to going on this journey of a lifetime with you. I'm sure there will be highs and lows that only cinema can provide.
Waters was just one of many filmmakers with career highlights in the year 1988. Another was the Greek auteur Theo Angelopoulos. While he had been a veteran of historical melodrama up to that point, it wasn't until 1988's release of Landscape In The Mist, a film designed to stop you in your tracks and fully consider what's really important about the concept of the 'road movie' - it's not the journey or the destination, but the meaning of the whole endeavor that really matters. Landscape in the Mist was so shockingly innovative in fact, that many forget it was released in the 80's. It's impossible that a film this contemplative (and technically stupendous) could be released at such an 'innocent' time for cinema. 
